A material girl

Ah, the Eighties. The decade when marketing and pop music really hopped into bed, good and proper.

“We are living in a material world,” declaimed Madonna.

“Greed is good”, said Gordon Gecko, who didn’t actually exist though there were many like him.

Margaret Thatcher did exist, and ran a country, and she said “There is no such thing as society. There are individual men and women, and there are families”.

I remember reading Time magazine in 1987. There was an article about how cosmetic surgery was becoming popular among young corporate achievers. I am quoting from memory, but there was one guy who said: “I can spend $10,000 on a new car to make myself feel good, or I can spend $3,000 on getting some wrinkles lifted”. Yes, it really was that shallow and revolting.Gibson front cover

Today’s record is from that period. Though I was there, I don’t remember the artist. She was not as successful in Australia as in her native America, which may have something to do with it. In the States she was huge, though. Debbie Gibson was a precociously talented singer and songwriter. She was signed to a manager at thirteen, had two top ten hits in the US when she 17, and the following year she became the youngest person ever to have written, produced and performed on a number one US single.

This album, Electric Youth, came out in 1989, and spent a month on the top of the US charts. Listening now, it is a little hard to understand the excitement. It is pleasant enough, a mix of synth-pop dance numbers with some slower ballads – I have chosen one these to share. It is sentimental, but well crafted. Gibson can sing. But it could be pretty much any girl pop act of the day.

gibson back cover

Debbie Gibson sharing the word that one Swatch just isn’t enough.

Wikipedia says of her:

In tandem with the second album, she created a perfume called Electric Youth that was distributed by Revlon, and other makeup essentials for young girls that were distributed nationwide through Natural Wonder Cosmetics, another of her sponsors at the time, among the first of artists to do so. Debbie’s trademark was her hats, usually black bowlers. She also made tight, rolled-up jeans and wearing vests over your T-shirt, friendship bracelets, and two Swatch watches popular as she is clearly seen wearing on the back cover of her popular Electric Youth album and in her “Staying Together” music video.

That was the Eighties. She was genuinely of her time. A material girl.

  • Artist: Debbie Gibson
  • LP Title: Electric Youth
  • Track: Side 1, Track 5: “Silence Speaks (A Thousand Words)”
  • Format: 12” LP 33⅓ rpm
  • Label: Atlantic 81932-1
  • Manufactured in: Australia
  • Year: 1989

Many of the records featured on this blog, and hundreds of others, are for sale via Discogs

 

 

2 thoughts on “A material girl

  1. Hey Steve, thanks for reading and thanks for your comment. I should maybe stress that I am nothing but happy for her that she enjoyed success. She set out to make charting synth pop, and she did it well, and millions of people enjoyed it. That is all good.
    It was just that revisiting 1989 reminded me of some of the less pleasant aspects of 80s culture.
    I was vaguely aware that Debbie Gibson is still treading the boards, but here on Planet Vinyl we tend to be too busy cleaning 78rpm records to stay up with recent popular culture! But if she is doing creative things and bringing enjoyment to people’s lives, then all power to her.
    Kind regards
    Richard

    Like

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