Jealous rage in musical form

Arthur Fiedler was one of the great popularisers. He hated the notion that classical and orchestral music were seen as the preserve of a moneyed, snobbish elite. He wanted the music he loved made available to everyone, and as director the Boston Pops Orchestra, that is exactly what he did. He took charge of the orchestra in 1930, as America slid into the Great Depression, and under his guidance the orchestra toured all over, giving low cost and free concerts, with a mix of lighter classics and orchestrations of popular tunes.

bpo-aPurists frowned, because that is what purists do to show their purity, but Fiedler’s program gave work for hundreds of musicians, and brought orchestral music to many thousands of people who would otherwise never have heard it. Actually, make that millions of people, because Fiedler also pioneered orchestral recording, making the first recordings of many light classical and orchestrated popular works.

Among them was this, the first ever recording of the tango “Jalousie”, made in 1935. Dramatic, powerful, explosive – a jealous rage in musical form – the disc sold more than one million copies. That is a lot of records, even now. Back then, for an orchestra, an astonishing feat.

In America, the Boston Pops recorded for RCA Victor. This is a British release, on His Master’s Voice, and the name used is Boston Promenade Orchestra. Perhaps “pops” was thought lacking in dignity for an HMV release? Whatever: this is a recording which is (rare mix) both  historic and sublime. Put on a red dress, clutch a rose between your teeth, and hit play.

  • Artist: Boston Promenade Orchestra [Boston Pops Orchestra], conducted by Arthur Fiedler
  • Title: Jealousy / Entry of The Boyards
  • Format: 12” shellac disc, 78rpm
  • Label: His Master’s Voice
  • Catalogue: C. 2861
  • Manufactured in: Great Britain
  • Year: c. 1935

Many of the records featured on this blog, and hundreds of others, are for sale via Discogs

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