C-grade Christian

Johnny Cash sometimes described himself as a “C+ Christian”. Robert Hilburn, in his wonderful biography of Cash, observes:

Most thought this American icon was just being humble. To those who’d been close to him at various points, it appeared he was being a bit generous with his evaluation. But there was  no question Cash believed. He wasn’t using his religion as commercial strategy.

Cash was a flawed man, and he knew it. His honesty about those flaws were part of his greatness. He made a gospel song, even one which was perhaps a bit twee, meaningful precisely because of that.

Cash ISAMThis is one of those songs. The arrangement could be better. No need for the backing vocals! Simple, spare would suit the song. But Cash’s voice carries it. It is the voice of a common sinner, the C-grade Christian, asking for forgiveness. Again.

Just listen.

  • Artist: Johnny Cash
  • Album: Hymns of Gold (compilation of various artists)
  • Track: B1 “I Saw A Man”
  • Format: 12”, 33⅓ rpm, vinyl
  • Label: K-Tel
  • Made in: Australia
  • Catalogue: NA451
  • Year: Unknown (c. 1975). Song recorded 1958.

Birthday Elf unmasked!

One of the annoying things about being a parent is that, for years, Santa gets the credit for the best presents at Christmas. Same with Easter. If you grew up in rural Australia, where rabbits are loathed as a destructive environmental pest, letting the praise for the chocolate eggs go to a magical bunny is galling.

TipToeLabelSo, thank goodness that the creature on this record never caught on. Tip Toe the Birthday Elf. Yes, tune into the lyrics. The song is called “Happy Birthday to You”, but it is not the familiar version. Rather it is about another non-existent wretch trying to steal a parent’s thunder. His toe nails glow, or something, and he brings presents.

On the B-side, we meet this Tip Toe, who talks in a high squeaky voice, which at times morphs into a “mouse stampede” sound effect, said to be “Elf Talk”.

Planet Vinyl’s investigative unit can now reveal the shocking truth. “Elf Talk” is phoney! If you slow down Tiptoe’s supposed native tongue, it turns out to be some random dialogue from a radio play, a western, which features a horse which has gone lame having stepped in a “gopher hole”. And one of the voices seems to be that of Gene Autry. Have a listen.

So, dear Tip Toe you have been exposed as a sham. And the hole which crippled the horse? Probably dug by the Easter Bunny.

  • Artist: “Peter Piper” (Stephen Gale)
  • A side: Happy Birthday to You
  • B side: Birthday Party with Tip Toe
  • Format: 10”, 78 rpm, shellac, mono
  • Label: Philips
  • Made in: unknown
  • Catalogue: B 21418 H
  • Year: unknown [early 1950s?]

Many of the records featured on this blog, and hundreds of others, are for sale via Discogs

 

 

 

 

Five things I did not know about Ella Fitzgerald

Five things I did not know about Ella Fitzgerald

  1. She was born in 1917 in Virginia, but moved with her mother to New York State as a child, part of the Great Migration of African Americans seeking a better life in the northern states.
  2. Her mother died in a car crash in 1932, when Ella was only 15. She fell out with her stepfather and became homeless for a time.
  3. Her first hit was a version of a children’s rhyme “A Tisket A Tasket”, released in 1938
  4. In 1954 she was three days late to a tour of Australia, because she and three other black tour members were not allowed to board their flight from Honolulu to Sydney.
  5. She was active in the Civil Rights movement and refused to perform at segregated venues.

512px-Ella_Fitzgerald_in_September_1947

Something I did know: Ella’s was one of the great singing voices. This is one of her back catalogue. “I’ll Never Be Free” was a minor hit for her in 1950. Singing with Louis Jordan and his fine band, Ella makes it just shine.

3170

  • Artist: Ella Fitzgerald
  • A side: “Dream a Little Dream of Me” (with Louis Armstrong)
  • B side: “I’ll Never Be Free” (with Louis Jordan)
  • Format: 10”, 78 rpm, shellac, mono
  • Label: Decca
  • Made in: Australia
  • Catalogue: Y6302
  • Year: 1950

Many of the records featured on this blog, and hundreds of others, are for sale via Discogs

 

 

Hardrock and Coco and Joe

Gene Autry, the first of the great singin’ cowboys of American popular culture, was also a dab hand at a Christmas tune. His biggest ever success was one: “Here Comes Santa Claus”.

3064This is another, now pretty much forgotten, but a huge hit in its day. Released in 1951, “Thirty-two Feet – Eight Little Tails” was backed with “Three Little Dwarfs”. It was something like a two-song concept album, riffing on the theme of Santa’s sleigh. The numbered feet and tails refer to the reindeer doing the pulling, but my fave is the B side, in which we learn about three extra passengers in le traîneau magique du Père Noël. The song is as fluffy as an reindeer’s tail, but it is good, harmless fun.

Happy Christmas to my fellow Christians. Happy holidays to those of different faiths, and the agnostic and atheist too. We all have our place, here on Planet Vinyl. Regardless of belief, can I share the old Christmas prayer? “Peace on Earth, and goodwill to all”. Man, do we need that right now?

  • Artist: Gene Autry with Carl Cotner and his Orchestra and Chorus,
  • A side: Thirty-Two Feet – Eight Little Tails
  • B side: The Three Little Dwarfs
  • Format: 10”, 78 rpm, shellac, mono
  • Label: Columbia
  • Made in: Australia
  • Catalogue: DO-3509
  • Year: 1951

Many of the records featured on this blog, and hundreds of others, are for sale via Discogs

 

 

A very merry Christmas and a whacko dinner

It is 1952, getting towards Christmas. You live on a homestead, in rural Australia, and one of your family is away. Young Pauline has followed in the path of many Australians and sailed for England. The tyranny of distance is alive and well in this period. Television broadcasting won’t begin for years yet. Long distance telephone calls – for those who have telephones and many don’t – are awful: the sound garbled and the cost, in three minute blocks, ridiculous. So you won’t be hearing Pauline’s voice this Christmas.

B 201701 labelBut wait! What is this in the mail? It’s a gramophone record, an acetate – it has the familiar HMV label, but there is a message from Pauline, hand-written. Quick, everyone! Gather round the gramophone. Pauline sent this – what on earth can it be?

I am indebted to Bart Ziino, a friend and fellow record tragic for sharing this disc. Bart is an historian, and observed:

That really is a document of its time.  I wonder how far in advance she prepared it?  Enough time to go by ship, or sent by air?  I wonder what she was doing in London? My mum used to say ‘whacko’ as a good thing too. I wonder who else thought gladioli were the best flowers …

There is a rich human story behind every minute of recorded sound.

  • Artist: Pauline [surname unknown]
  • A Side: “Merry Christmas, love Pauline, xxx”
  • Format: 8”, 78 rpm, acetate, mono
  • Label: His Master’s Voice
  • Made in: England
  • Catalogue: Special recording
  • Year: 1952

Many of the records featured on this blog, and hundreds of others, are for sale via Discogs

 

Hurry back to your seat

It is 1957. You are sitting in a cinema in Melbourne, Australia, and it is Interval. Younger folk may never have experienced an “interval” in a cinema, but it used to be a thing, equivalent to half time at the football. As the house lights brighten and you rise, contemplating whether to buy an ice-cream, a fruity baritone voice floats over the PA.

This announcement was a custom acetate recording, a 78-rpm metal disc covered in black lacquer. These were used to record radio advertisements, theatre announcements and the like. In this case, the management want the punters not to hang around too long in the foyer, ruining the cinema’s screening times.

7133As you will have picked up, you were seeing The King and I, the 1956 film version of the Rogers and Hammerstein’s musical. This is a much-loved production, still being performed around the world. Personally, I’m not sure why it has such an exalted place in the canon, but millions disagree with me and it has some good moments.

Maybe, in 1957, the magic would have been stronger, and I would have rushed the next day to buy this EP. I have chosen one of the less-famous numbers, a song of love and gentle melancholy. The singing credit is given to Deborah Kerr, but along with the other songs in the film it was actually sung by Marni Nixon.

Now, grab your ice cream and get back to your seat. The movie is about to start!

Recording 1

  • Artist: Unknown
  • A side: “Interval, King & I”
  • Format: 10”, 78 rpm, acetate, mono
  • Label: Broadcast Exchange of Australia (BEA)
  • Made in: Australia
  • Catalogue: none
  • Year: Unknown (probably 1957)

Recording 2

  • Artist: Deborah Kerr and Yul Brynner
  • EP Title: The King and I
  • Track: A2 “Hello, Young Lovers”
  • Format: 7”, 45 rpm, vinyl, mono
  • Label: Capitol
  • Made in: Australia
  • Catalogue: EAP 1-740
  • Year: 1957

Many of the records featured on this blog, and hundreds of others, are for sale via Discogs

 

 

Young Turk

Torok is an unusual name for an American country artist of the 1950s. Country is usually the domain of the Anglo name: Nelson, Cash, Jennings, Parton. Even those not born with one used to put a suitable name on with the cowboy hat. Baldemar Garza Huerta did better as “Freddy Fender”.

Torok means “Turk” in the Hungarian language, and it was a surname given to people whose forebears had migrated there from Turkey in the days of the Austro-Hungarian Empire. That empire was destroyed in the First World War, and in the wake of that defeat a Hungarian couple, Niklos and Irene Torok, migrated again, to the United States.

3331There, in Houston, they had a son in 1929. Mitchell Torok grew up listening to the music around him, took up guitar at age twelve, and by his 20s became small-big in country music. He appeared on the major country radio programs, and wrote song for many of the stars of the day, particularly Jim Reeves.

His biggest hit came in 1953 with “Caribbean”, a light-hearted stomper with a vaguely Hawaiian sound celebrating the beauty of ladies in Cuba and Haiti. It’s a fun song but I prefer the B side. One of Torok’s idols was the great Hank Williams (who died before his time earlier that year), and there is more than a hint of Hank in “Weep Away”.

Whoever bought this record loved this song – it has been played many, many times, and the shellac is battered and worn. Even through the rumble and scratch, this is a heartfelt performance.

  • Artist: Mitchell Torok
  • A side: Caribbean
  • B side: Weep Away
  • Format: 10”, 78 rpm, shellac, mono
  • Label: London
  • Made in: Australia
  • Catalogue: HL-1011
  • Year: 1954

Many of the records featured on this blog, and hundreds of others, are for sale via Discogs